The Blurb (from Goodreads):
Against the unforgettable backdrop of New York near the turn of the twentieth century, from the Gilded Age world of formal balls and opera to the immigrant poverty of the Lower East Side, bestselling author Susan Vreeland again breathes life into a work of art in this extraordinary novel, which brings a woman once lost in the shadows into vivid color.
It’s 1893, and at the Chicago World's Fair, Louis Comfort Tiffany makes his debut with a luminous exhibition of innovative stained-glass windows, which he hopes will honor his family business and earn him a place on the international artistic stage. But behind the scenes in his New York studio is the freethinking Clara Driscoll, head of his women's division. Publicly unrecognized by Tiffany, Clara conceives of and designs nearly all of the iconic leaded-glass lamps for which he is long remembered.
Clara struggles with her desire for artistic recognition and the seemingly insurmountable challenges that she faces as a professional woman, which ultimately force her to protest against the company she has worked so hard to cultivate. She also yearns for love and companionship, and is devoted in different ways to five men, including Tiffany, who enforces to a strict policy: he does not hire married women, and any who do marry while under his employ must resign immediately. Eventually, like many women, Clara must decide what makes her happiest--the professional world of her hands or the personal world of her heart.
I love Susan Vreeland’s books. She is interested in art and poetry and history, all the things which I love too. Her books always feel like a journey of discovery for me, illuminating the forgotten life of some brilliant, creative, unknown woman. Her latest book is called Clara and Mr Tiffany, and it brings to life Clara Driscoll, the woman behind the beautiful and exotic stained glass lamps that the House of Tiffany produced just before the turn of the century. The Mr Tiffany in this case is the son of the famous Mr Tiffany of the well-known aquamarine box. He was an extraordinary character too, and the relationship between him and Clara is quite fascinating. He made it a rule that none of the women artists working for him were permitted to marry, so that Clara was constantly having to choose between her art and love. I really loved this book, and look forward to Ms Vreeland’s next wonderful creation.
You might also like to read my review of The Muse by Jessie Burton: